Is our preoccupation with the rosy pieces of our past holding us back from the future?
A forward-looking nation appears to have fallen for its past. From the surge in the popularity of old-school childhood memorabilia and retro-themed eateries, to books, documentaries and films exploring the past, nostalgia has become all the rage.
And this hunger for the yesteryear is shaping not only our entertainment. With our country’s golden jubilee just around the corner, more Singaporeans have been reminiscing about the past through personal social projects or nation-wide initiatives.
Dear to their hearts is the loss of places with old-world charm – just look at the public debates over kampungs in Pulau Ubin and Lorong Buangkok, and the Toa Payoh dragon playground.
But sentiment aside, could this love affair with the bygone days be a constructive force? Or is it a blinding anxiety, holding us back from the future?
What is nostalgia?
Nostalgia used to mean homesickness, which was considered
a medical condition in the 17th century. Now, nostalgia
is commonly defined as a longing for the past.
Experts have noted that this sentiment is linked to the
disappearance of familiar icons or experiences as a nation
develops, and is also common in Hong Kong, Taiwan and
other Asian countries that have experienced dizzying rates
of modernisation.
“The ultra-rapid changes in Asia have created an
equally rapid rise in anxiety about the pace of change and
feelings of loss,” explained social geography professor
Alastair Bonnett in his upcoming book The Geography of
Nostalgia (available August 2015).
People are also searching for things beyond the modern
that will give them a “feeling of connection” to the
country, said Dr Kevin Tan, president of the International
Council on Monuments and Sites (ICOMOS) Singapore,
a non-governmental organisation working on the conservation
and preservation of heritage sites.
For Mr Alvin Tan of the National Heritage Board
(NHB), the rise of nostalgia reflects Singapore’s maturity
as a society. “We can afford to think deeper about issues
like heritage, belonging, identity,” beyond bread and
butter issues, said the Assistant Chief Executive (Policy
and Development).
The NHB has seen growing public interest in its heritage
offerings: the number of visitors at its heritage outreach
events grew 12% to 5.7 million in 2013 from the previous
year. (2014 figures will be published later this year.)
Toy soldiers, marbles and aeroplane chess are popular toys that captured children's attention before the ubiquity of the Internet.
Nostalgia in the digital age
Ironically it is modern technology, mainly the Internet and
social media, which has helped fuel the nostalgia, as online
sharing of memories and history reaches a wide audience,
particularly the younger generation.
Blogs like “Remember Singapore” and “
The Long
and Winding Road” document heritage sites, while Facebook
groups such as “On a little street in Singapore”
and “Nostalgic Singapore” have become virtual kopitiams
where netizens gather to share old photos
and anecdotes.
On a larger scale, there is the Singapore
Memory Project, facilitated by the
National Library Board. Aimed at nurturing
national bonding and rootedness
through collective remembrance, the project
crowdsources personal memories of
life in Singapore via an online portal and
a mobile app. Bloggers who write about
Singapore are also invited to pledge their
blogs to the portal. Since 2011, more than
a million stories have been gathered.
The NHB also reaches out to the
young by using the latest technology, such
as drones and Google Glass, in their YouTube documentaries of heritage sites such
as four lookout towers built in the 1960s
and ’70s and the Marsiling tunnels. Using
Google Street View, they have also created
virtual tours of places such as the Sungei
Road flea market and the Chinese Garden.
Others gave nostalgia a creative spin:
Writer Justin Zhuang plotted old-school
playgrounds on Google Maps in 2010,
while 3-D printing company mēkā has
printed miniature models of demolished
icons like the National Theatre and the old
National Library as an SG50 project. (See: #yesteryearsproject)
#yesteryearsproject
PHOTOS BY SEAN CHAM (INSTAGRAM: @ABLANKFRAME)
Artist Sean Cham showcases abandoned heritage sites by portraying them in a different light. The 21-year-old takes his viewers back in time with Yesteryears, a series of 50 self-portraits that re-imagine what old places (e.g., deserted schools and forgotten forts) were like when they were bustling with life.
He told Challenge that the project was sparked by the en bloc redevelopment of his grandmother’s flat, and the realisation that “many memories that resonate within those walls would be torn down together with the physical structure”.
He wanted to revisit the overlooked stories of places that “have significance in telling the Singapore story”, which he selects by scouring online articles or heritage blogs.
His photos have struck a chord with many Singaporeans, some of whom relish the opportunity to share their memories. But other than helping the audience reminisce or learn about the past, Yesteryears is also “a celebration of… how far we have progressed as a nation”, which is timely for SG50.
However, Mr Cham made sure to look beyond the five decades of independence for a fuller picture of Singapore’s history. “The 200 years of hardship and turmoil our forefathers went through should be celebrated as well,” he added.
Sparking heritage conservation
But nostalgia doesn’t end there. For some,
it can translate into action, something consequential.
“As you reminisce about the past, a lot
of the past in the present is disappearing,”
said ICOMOS’ Dr Tan, who was the president
of the Singapore Heritage Society
until 2011. “So I don’t think it’s enough to
be nostalgic.”
Instead, the sentiment should drive
greater public awareness of and activism
for heritage protection, he added.
For one, the heated protests in 2011
against building a road through the Bukit
Brown cemetery exemplify how the public
is increasingly vocal about the destruction
of places close to their hearts.
Dr Tan, who is writing a paper on the
state-society interactions for heritage conservation,
observed that the government
has moved away from its bulldozer approach
in the earlier years to become more
open to public engagement.
As you reminisce about the past, a lot of the past in the present is disappearing. So I don't think it's enough to be nostalgic.
However, there remains a “fight about
heritage” since the authorities and civil
society have differing views of what should
be conserved and how best to do so,
he added.
The NHB confirmed this. “Policy issues
are increasingly complex,” said Mr
Tan. “Everybody wants to have a say when
it comes to redevelopment issues. To further
complicate matters, every interest
group has different perspectives and views
of what constitutes a heritage site.”
In 2013, the NHB formed the Impact
Assessment and Mitigation (IAM) division
to mediate between citizens and
public agencies facing such differences.
For instance, they helped the owners of
the last two surviving wood-fired dragon
kilns, located on state land, negotiate the
extension of their lease with the Singapore
Land Authority.
Mr Tan added that since the Bukit
Brown controversy, more public agencies
have been approaching the NHB for
advice on the heritage impact of their
development projects. This demand for
heritage impact assessment expertise was
another impetus for the IAM’s formation.
The IAM also comes up with measures
to mitigate the impact of redevelopment.
For an upcoming housing estate at
the former Bidadari cemetery, the IAM
worked with heritage interest groups, the
Housing & Development Board and the
National Parks Board to incorporate Bidadari
Memorial Garden into estate plans.
It also works closely with the Urban
Redevelopment Authority (URA), which
has the legal power to conserve heritage
buildings and areas as part of land
use planning.
In 2013, both agencies assessed the
heritage value of 18 Queenstown sites proposed
for conservation by heritage group
My Community. Eventually three were gazetted
for conservation: the Queenstown
Library, the former Commonwealth Avenue
Wet Market, and Alexandra Hospital.
These community landmarks, steeped
in architectural and social value, reflect
the URA’s commitment to conserve
buildings that are meaningful to Singaporeans.
Nearly 7,200 buildings have been
conserved in the past 25 years, partly
because of growing public feedback and
expectations to protect sites important to
local identity.
PHOTO BY PHILIPP ALDRUP
Breathing new life into old spaces
At Golden Mile Tower, two cinema halls of the former Golden Theatre have been rejuvenated as The Projector, an independent cinema that opened in January 2015.
From the steel-framed flip-up seats to the retro signage, elements from the past – which the cinema's creators "fell in love with" and wanted to showcase – are still apparent.
Started by development consultancy Pocket Projects, The Projector stemmed from the team's penchant for regenerating "overlooked or neglected places", said the cinema's manager Sharon Tan. They had previously revitalised conserved shophouses in Geylang, a red-light district.
Ms Tan and her team sought to "make Golden Theatre relevant to people again… as a movie theatre at its core, but with the added flexibility of accommodating other creative uses". They added modern elements: new upholstery for the seats and beanbags to spiff up the space, while one hall now has a stage for music performances, movie dress-up nights and other events.
PHOTO BY PHILIPP ALDRUP
The project met with an encouraging response even before it was launched – its crowdfunding campaign raised over $73,000 within two months.
By drawing in new crowds of mostly young adults, The Projector opens the door for more awareness of Golden Theatre’s past glory. Beyond its notoriety as a former venue for R21 films, it was the largest local cinema when it opened in 1973 and a popular destination for Mandarin films.
Beyond physical heritage
Then there is what is known as “intangible
heritage”. Traditional trades, practices,
rituals, festivals, and even food, languages
and music – these cultural aspects are just
as important as tangible heritage in contributing
to a nation’s sense of identity,
stressed Mr Tan. That’s why the NHB
also supports ground-up projects in these
areas through its heritage grants.
One example is The Songs We Sang,
a new documentary celebrating xinyao,
a Mando-pop movement popular in the
1980s and ’90s. A xinyao concert organised
for this film last July saw more than
2,000 people thronging Bras Basah Complex
and braving the rain to revel in the hit
songs of the past – showing that people
pine for more than just places, but also the
pursuits of their bygone youth.
The NHB plans to launch a nationwide
survey to identify and document Singapore’s
intangible heritage at the end of the
year. This follows another national survey,
starting in mid-2015, which focuses on
creating a database of tangible heritage
sites to aid long-term heritage planning.
The dark side of nostalgia
While heritage and local identity preservation
are important, nostalgia can be a
double-edged sword, leading also to dogmatism
and a rejection of change and new
possibilities, warned Ms Tiana Desker,
a futurist.
For example, a fixation on a romanticised
past could “grow into a backward-looking,
exclusionary nationalism”, said
the Senior Assistant Director at the Strategic
Policy Office.
Already, some Singaporeans are quick
to describe themselves as “Singaporean
born and bred”, to differentiate themselves
from naturalised citizens.
Even as we immerse ourselves in nostalgic
moments – from celebrating childhood
symbols like five stones to the re-enactment
of policemen donning shorts for
the National Day Parade – we also need to
accept an evolving national identity that
weaves in the stories of new citizens, said
Ms Desker. Their stories add to and affirm
Singapore’s values of multiculturalism
and meritocracy.
Travel back in time with old bus tickets and stamp albums, or cassettes and film cameras from the analogue age.
Nostalgia to empower change
So if we can view it in perspective, nostalgia
can be a constructive force, by reflecting
how we want to improve the future.
For example, said Ms Desker, when
people hark back to the kampung days,
they are pining for what they feel is now
lacking: a sense of community, more time
and greater access to nature.
Taken positively, these sentiments can
spur us to recreate the positive aspects
of kampung life in the modern context.
Ms Desker is studying Singaporeans’
desire to revive the kampung spirit, an interest
sparked by dialogues from Our Singapore
Conversation.
She suggested that the government
can help citizens channel their nostalgia
constructively by putting greater emphasis
on the intangible things they value.
Beyond preserving green spaces and
supporting community gardens, we can
create even more spaces that allow an escape
from our busy urban lives. For example,
Helsinki has “The Chapel of Silence”,
a multi-faith chapel that encourages people
to have a moment of peace and reflection
in the centre of a business district.
It may appear as nostalgia but I think it is much more about people having a chance to think through what they feel are the identity markers as individuals, as a community, as Singapore.
Shaping national identity
The trend of nostalgia also has other longterm
implications.
“It may appear as nostalgia but I think
it is much more about people having a
chance to think through what they feel are
the identity markers as individuals, as a
community, as Singapore,” said Mr Kelvin
Ang, Director of Conservation Management,
at the URA.
People pull up things and places they
relate to, like old playgrounds or shophouses,
to “symbolise a sense of belonging”.
Aware of this, the URA has been
encouraging the public to share their
personal memories of conserved places.
Such stories, found on My Conservation
Portal, add human interest
to the national narrative, and ensure
that conserved sites are meaningful icons
of identity.
Its own initiatives aside, Ms Desker argued,
the government could also do more
to support ground-up efforts to redefine
our national identity.
For example, she suggested that the
government could invest more in the creative
arts – Singaporean literature, music,
art and architecture – which will build up
our sense of a shared Singaporean culture.
“A bunch of bureaucrats cannot come
up with national identity. It’s the work of
your poets, your artists, the brilliant people
of your generation,” she stressed, adding
that support, such as funding for artists,
has to be consistent over a period of
decades to reap results.
Future from the past
It remains to be seen whether our fascination
with the past will wind down after
the SG50 celebrations. Some think that
we will always be nostalgic for something;
others feel we should stow away our memories
and focus on the present.
Regardless of whether nostalgia is a
passing fad, why not embrace it while it
lasts? Use it as a reminder of the importance
of balancing the traditional and the
contemporary, preservation and progress,
or even leverage it as a powerful spark
for change.